Menu
The New Contemporary Art Magazine

An Interview with Lydia Emily

Hi-Fructose friend Lee Joseph recently hit the streets of Los Angeles with an emerging street artist, Lydia Emily. Though the LA street art scene has become inundated as of late with many fresh faces, the politically driven works of the female artist are intriguing and intelligent. "The Audacity of Compromise" an open dialogue with the Obama presidency, and "I Remember When the Bad Guy Died and the War was Over", an image featuring Winston Churchill, in reference to recent death of Osama Bin Laden, have both caught our eye and we are excited to present this exclusive short interview with the artist after the jump.

Hi-Fructose friend Lee Joseph recently hit the streets of Los Angeles with an emerging street artist, Lydia Emily. Though the LA street art scene has become inundated as of late with many fresh faces, the politically driven works of the female artist are intriguing and intelligent. “The Audacity of Compromise” an open dialogue with the Obama presidency, and “I Remember When the Bad Guy Died and the War was Over”, an image featuring Winston Churchill, in reference to recent death of Osama Bin Laden, have both caught our eye and we are excited to present this exclusive short interview with the artist below.

You were at one time a folk artist who painted scenes of a personal nature about yourself, family and friends – what was it that inspired you to veer into politicts using photorealism and mixed media?

I started doing political street art as I began to understand that people like me do not really have a voice. I am not rich, a celebrity, or a politician. And Galleries generally don’t show political art. So I needed to find a way to put myself out there as a public witness to what goes on and often goes unnoticed. On the street I am an equal, so that’s where you’ll find me.

Who are you speaking to, why the urge to share your works with the public and what would you like your viewers to take with them after viewing one of your pieces?

I want people to really witness what goes on in the world. Witness means to acknowledge what happens, not just to see it go by on your twitter or facebook. As a witness you are participating in the culture, not just standing on the curb. I am a witness. And I hope that my being a witness will make other people think seriously about what is going on around them, and what they can do to influence it.

What mediums do you use on the original pieces – what size are they? Do you work on one at a time or do you have numerous pieces going simultaneously?

I use the Sunday New York Times only for background. I cut it up and glue it to the canvas, then oil paint on canvas. I only use acrylic for highlighting the street copies. The sized range anywhere from 15 inches to 40 inches square. I work on one piece at a time.

Who currently inspires you the most?

LE: Winston Churchill and the Dalai Llama. I have their birth dates tattooed on my back.

Meta
Topics
Share
Facebook
Reddit
Pinterest
Email
Related Articles
As a tribute to this “most wonderful time of the year” artists Lauren YS and Makoto Chi have created twenty-eight works (and a mural) for their new “Five Poisons” exhibition. We’ve interviewed the artists about the work. Click image above to read it, or else.
With a mix of dark humor and an impressive skill at creating inviting, yet dangerous worlds, the artist known as Bub has caught our eye. Click above to read our new interview with the artist and his new body of work, before it's too late.
We live in strange times and artists Michael Kerbow and Mike Davis both have something in common: they use surrealism and time travel to address modern and existential issues. Click above to read the Hi-Fructose exclusive interviews with painters Mike Davis and Michael Kerbow about their respective solo showings.
Artist and animation director Joe Vaux paints what he likes. His personal work is teeming with impish demons. His cheerful hellscapes are populated with lost souls, sharp toothed monstrosities, and swarms of wrong-doers. And yet, there’s an innocence to all of this. Click to read the Hi-Fructose exclusive interview with Joe Vaux.

Subscribe to the Hi-Fructose Mailing List