Menu
The New Contemporary Art Magazine

Studio Visit with Miss Van

Since creating her poupee characters nearly two decades ago, Miss Van (HF Vol. 15) has developed an extensive vocabulary of moods—all communicated through the ultra-sensual, kitten-nosed females that populate her artworks. The Barcelona-based artist currently occupies herself experimenting with dry pastels and wooden installations as she prepares for upcoming exhibitions at Magda Danysz Gallery in Paris, the Museum of Contemporary Art in L.A, and Jonathan LeVine in NYC .

Filled with fuzzy textures and flesh-tone shades, Miss Van’s new series of drawings, “The Bunny Lover”, explores a more delicate side of her characters’ fantasy world. The series departs from the more sinister palette of black, ochre and dark brown she used for her “Twinkles” solo show, which debuts at Madga Danysz Gallery on March 19. Vintage photographs, prints and posters of full-figured beauty icons fill walls of Miss Van’s softly lit workspace. Whether exotic, theatrical or classic, the found images provide inspiration for the artist’s latest works, such as the poster currently in progress for Cirque du Soleil’s “SAFEWALLS” art project. Nastia Voynovskaya of Hi-Fructose visits Miss Van’s studio and surveys her new series, “The Bunny Lover” and “Twinkles,” below.

Since creating her poupee characters nearly two decades ago, Miss Van (HF Vol. 15) has developed an extensive vocabulary of moods—all communicated through the ultra-sensual, kitten-nosed females that populate her artworks. The Barcelona-based artist currently occupies herself experimenting with dry pastels and wooden installations as she prepares for upcoming exhibitions at Magda Danysz Gallery in Paris, the Museum of Contemporary Art in L.A, and Jonathan LeVine in NYC .

Filled with fuzzy textures and flesh-tone shades, Miss Van’s new series of drawings, “The Bunny Lover”, explores a more delicate side of her characters’ fantasy world. The series departs from the more sinister palette of black, ochre and dark brown she used for her “Twinkles” solo show, which debuts at Madga Danysz Gallery on March 19. Vintage photographs, prints and posters of full-figured beauty icons fill walls of Miss Van’s softly lit workspace. Whether exotic, theatrical or classic, the found images provide inspiration for the artist’s latest works, such as the poster currently in progress for Cirque du Soleil’s “SAFEWALLS” art project. Nastia Voynovskaya of Hi-Fructose visits Miss Van’s studio and surveys her new series, “The Bunny Lover” and “Twinkles,” below.

Meta
Topics
Share
Facebook
Reddit
Pinterest
Email
Related Articles
We are living in even stranger times. While fires are ravaging Los Angeles on the west coast of the United States, affecting many of our friends and collaborators, the scores of artists in Asheville affected by Hurricane Helene in December are still reeling from the loss of their homes and studios. To provide support, Bender Gallery has organized an art show with their local artists to support the River Arts District. Click above to read all about it and see a few works on display.
Hi-Fructose issue 73 is coming soon! Get a sneak peek of it by clicking the above image, thereby making your life complete.
Less than two years ago, New Mexico painter Anthony Hurd completely changed the subject matter depicted in his paintings, focusing on themes which related to the artist on a more personal level. While Hurd’s graphic paintings of dynamic skulls were quite popular, his painterly depictions of male figures having intimate moments are simple and powerful. See the full video here!
Using a limited palette, oil painter Seth Haverkamp conjures up glowing portraits that glow with magic and mystery. We  interviewed the portrait artist about his latest exhibition of light infused paintings at Bender Gallery in North Carolina. Click the above image to read the interview!

Subscribe to the Hi-Fructose Mailing List