by Andy SmithPosted on

In his recent show at The Hall in Brooklyn, Aaron Li-Hill tackles climate change in his visceral mixed-media works. “Perils of a New World” collects both handheld pieces and massive new installations from the Canadian artist. The show also features works fro ma collaborative photographic series with Mathais Wasik.

by Andy SmithPosted on

Asheville Art Museum has unveiled its new building in North Carolina, and with it, a slew of opening exhibitions. The museum’s own collection is known for its ties to the former Black Mountain College, the N.C. school open between 1933 and 1957 that was tethered to Bauhaus and faculty and students that included Robert Rauschenberg, John Cage, and Ruth Asawa. Their collection has been reinterpreted in a new display at the venue.

by Andy SmithPosted on

Oil painter Lindsay Pickett crafts distorted cityscapes that are at times taken from the artist’s dreams. His influences range from Dali and Bosch to sci-fi illustrators like Wayne Barlowe and Jim Burns. The key to crafting these pieces is not just subverting physics, Pickett says, but walking the tightrope of making them somehow convincing.

by Andy SmithPosted on

Evan Lovejoy’s paintings are inspired by both the artist’s love of the natural world and his anguish due to its destruction. Our complicated relationship with animals is shown through the artist’s varying ways of depicting them. Within the same work, a beast moves between a sense of realism, cartoonish rendering, and a more pop-surrealist sensibility.

by Andy SmithPosted on

In Kensuke Koike’s ongoing “Single Image Processing” series, the artist alters vintage photographs and postcards with both humorous and surreal results. With just a pair of scissors, the artist is able to remix and recontextualize imagery that is otherwise ordinary or nostalgia-fueled.

by Andy SmithPosted on

Colombian illustrator Carolina Rodriguez Fuenmayor crafts riveting, cerebral scenes. Though her work often features solitary figures, much of her themes seem to stem from a universal sensibility. And in much of her work, unexpected hues and amorphous, enveloping forms underscore the works’ psychological nature.